date of first publication 1945 (in serial form, whereit to be entitled “The Pearl the the World”), 1947 (inbook form)

publisher The Viking Press

narrator The cotton narrator writes as if telling an oldstory he or she knows really well. The narrator generally alludesto the story’s ending and also freely defines the inner thoughts andfeelings of miscellaneous characters. Fairly than phone call the story in hisown voice, Steinbeck chooses to narrate in a stylized voice recallingthat the a storyteller indigenous a culture like Kino’s, in i m sorry storiesare handed under from generation to generation, eventually losingtheir specificities and also becoming ethical parables, together Steinbeck insinuatesin the opening epigraph, by virtue of thin repetition.

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suggest of check out The narrator offers third-person, omniscient narration,meaning the or she not only tells us what various personalities thinkand feel but additionally provides analysis and comment on the story.The narrator move perspective frequently, focusing most oftenon Kino yet occasionally concentrating on other personalities such as Juana andthe doctor.

tone The narrator tells Kino’s story come teach a moral lesson,and therefore treats Kino above all together a cautionary figure. At the sametime, however, the narrator seems to watch Kino as a type of tragichero, and is moved by the person weakness Kino’s actions reveal.The narrator frequently shows a details respect for Kino’s striving to realizehis ambitions—even while recognizing the failure Kino provides andmourning his ultimate moral downfall.

it is too dirty Past

setup (time) Unclear, perhaps late nineteenth or early twentiethcentury

setup (place) A Mexican coastal village dubbed La Paz, most likely onthe Baja Peninsula

protagonist Kino

significant conflict After recognize a splendid pearl, Kino looks for to sellit to gain wealth. The wishes for his son’s wound come heal, andfor his son to obtain an education and also become an same to the european colonistswho store his world in a state of ignorance and poverty. Once hetries to market the pearl, however, Kino quickly meets resistancein the kind of other people’s greed. Ultimately, his battle toacquire wealth locations him in ~ odds v his family, his culture,and nature, as Kino self succumbs to greed andviolence.

rising activity A scorpion stings Coyotito; Kino discovers a greatpearl; Kino’s do the efforts to sell the pearl are unsuccessful, and also heis mysteriously attacked; Kino to win Juana because that attempting come discardthe pearl.

orgasm Kino death a man who strikes him for his pearl, anevent the exposes the tension surrounding this object as a bringerof an excellent evil and a possibility for salvation.

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falling activity Kino and Juana flee the village and uncover themselveschased by trackers; Kino fights with the trackers, not knowing thatthey have actually taken Coyotito’s cry to be that of a coyote and also shot him; Kinoand Juana return to the town and litter the pearl ago into thesea.

themes Greed as a terrible force; the roles of fate andagency in shaping human life; colonial society’s be suppressive of nativecultures

motifs Nature imagery, Kino’s songs

signs The pearl, the scorpion, Kino’s canoe

foreshadowing Coyotito’s name; the conversation of “The Pearl ThatMight Be”; Juana’s prayer for Kino to uncover a good pearl; Juanaand Juan Tomás’s warnings come Kino that the pearl is dangerous